Cthulhu Final

It's been quite a journey for our 2D project.

This final week was spent cleaning up and organizing the presentation.

Unfortunately, we ran into a huge amount of issues with Perforce and version control. In our last few hours of working on the project, our file unfortunately got updated from 4.20.3 UE4 to 4.21 and this led to our entire map disappearing along with hours of work. We had to revert to a previous version but this ultimately led to our work being lost.

The particle effects in their current state still absolutely kill the FPS. There has been no way to really cut back on them, therefore our FPS will be rather abysmal in the coming presentation.




The good part is, we have a working iteration (luckily) for the presentation.

Cthulhu Week 5

This week I worked on our Unreal level.

I created a variety of 'houses' to add more depth to the level.

Tech Art Project

For my Tech Art Project, Chris challenged me to do something with 'Carthage'. I decided it would be interesting to create a set of concepts based on an existing IP, such as Vin Hill did for Assassin's Creed in a feudal japan setting.

His work can be found here: https://www.artstation.com/artwork/8oDJG

I wanted to create my own set of concepts in the style of: Assassin's Creed: Carthage, drawing inspiration from their recent publication, Odyssey.

I also wanted to explore the use of 'tools' that would allow me to quickly mock up a concept in 3D that I could then take into Photoshop and finalize. This is mostly to speed up my workflow and improve the quality of the work that is produced.

I will be spending a little less than a month on this project, with 3 weeks focused on learning/creating some tools while the final week will be used to create the concepts.

Phase 1: Research and Development

Using Houdini, I created a variety of Procedural tools that would allow me as an artist to quickly mock up a level.

My PillarCreator allows me to manipulate geometry to form a Pillar (It can also be adapted to form posts, lamps, and so forth). Using a curve, I can define where the pillars should form and through a resample, I can dictate how many pillars to form between point a and b (This essentially acts as a %).


PillarCreator from Rene Bencik on Vimeo.



Terrain:
This is a simple terrain digital asset that allows me to manipulate how rough/soft the terrain is and allows me some iteration through 'offset'.

Simple procedural terrain from Rene Bencik on Vimeo.


This is the first 'sand' material (and general material) I created in Substance designer. The goal of this was to figure out general substance structure and formatting, how the nodes work, how to create certain elements that create a greater whole.



This is a more refined version of my material after doing some more research and learning. I still feel like I would have to commit more time to this to really get more in depth and understand the process better.



I also decided to look more into Quixel Mixer to create a material for the sand since I was not completely confident in my substance designer abilities. The results were much better and much easier to attain as Quixel is more geared towards artists. I plan to buy a license in the winter break and work on learning the program.







I applied the material I created to the landscape I generated from my digital asset. to get a base. Unfortunately, I haven't quite figured out how to get the level of detail I want but it's a good base for now. This is something I would have to explore further over break (I plan to learn Quixel Suite 2.0).

I combined all of the elements inside of Unreal and built up the scene, using the digital assets as seen below:



Part 2: Shots

Here are some highresshots from the ingame that I will be using as base images to formulate my concepts. The tools allowed me to really quickly create these in less than an hour.  This essentially negates my need for shot exploration in Photoshop. Sketching ideas would normally take me a day or so whereas now I can just fly around my Unreal Scene and make adjustments accordingly.









PART 3: Photoshop painting

Here are the finalized concepts I created using the images above:
(These were made in a combined time of around 14 hours.









Edit: I went ahead and removed the characters to just focus on the environment design. Was trying to do too many things at once and it conflicted.

Cthulhu Week 4

Kicking things into overdrive this week:

Cthulhu Week 3

This week I cleaned up some of the initial sketches and iterations as shown above in preparation for next weeks final presentation.

I also helped format and guide my team into working towards the more finalized proxies.

I am quite burned out and lacking sleep at the minute.

Cthulhu week2

We are putting together a blockout of the Unreal level for the VR experience. Jerry built this using some prebuilt assets to just get a good idea of what we want the level to look like.

I've been painting over images to further solidify what the feeling should be and how the lighting should look:

Il Misterio di Cthulhu - Week 1

This week I spent directing my team to formulate some ideas and structures for our prototype.

I spent time redrawing the Model Sheet based on the character illus I created.

Week 8 - Bringing it all together// Pt 2: Environment

I started off by doing some paintovers on images of Venice to get a feel for the scale and type of view I want for the big "Cthulhu invades" kind of scene.

I'm following the prospect of 'Cthulhu' awakening and besieging Venice. OR this being a 'mirage' or dream (as described in the short story). I want the real sense of terror to shine in these images but I also want to stay true to my thematic setting of 14th century Venice.

Out of these initial sketches I picked 3 that I wanted to develop further before deciding upon a final.



I then did a mashup of the certain elements that I liked.




I started slowly developing this:




This is the furthest I got. Wish I had more time to dedicate to this project.








BONUS:

Cleaned and tightened the sketch somewhat from last week. I feel like I still have a lot to work on in regards to this and will continue to do so in the coming week along with my above illustration.

Week 8 - Cannon to UE4

This is the export from substance painter:



The master material setup:




And the cannon with the material instance and fresnel:

Week 7 - Bringing it all together// Pt 1: Character

Here is this week's illustration for my character, Professor Angell (Professore Angello) from Call of Cthulhu. I went for the 14th century Renaissance Venetian look.




The Model/Sketch Sheet:




Iterations:

Week 7: Baking and Texturing

LowPoly:



HighPoly:




This is the end result! I am pretty happy with it, even though the cannon looks like it's seen brighter days.

Week 7: Idea

The short story that I chose is Call of Cthulhu by HP Lovecraft

http://www.feedbooks.com/book/18/the-call-of-cthulhu

I am thinking of a crossover of Cthulhu appearing on the coast of 14th century Italy. (Perhaps venice or something). I will need to think about the setting, context, time period more.

Similar to https://www.artstation.com/jakubrozalski and what he did for Scythe. I quite like the idea of having something in a time-period that contrasts to the reality of it.